The Dandelion Game







Selected for Cannes Junior, 1998
Giffoni 1998: Best début
Olympia 1998: Best direction – Best film


THE DANDELION GAME (Dutch title: Blazen tot Honderd) is a Dutch-Belgian coproduction with Molenwiek Film as its lead producer.

Maurits is twelve and has become difficult and unruly, refusing to accept his mother's death. He just denies it.
His father, who restores paintings for a living is too sad himself to bother.

Maurits creates his own imaginary world in the nature surrounding his riverside village.

One spring day he encounters Moniek, a mysterious girl who appears every now and then and joins Maurits on his expeditions into the wetlands. He shows her the foal he saw being born, teaches her the names of birds and tells her how to play the dandelion game...

Maurits' lively curiosity and unreleased anger provoke extreme emotions.
He starts a bonfire, with Moniek as Joan of Arc. When he finds a dead dog in the river, he almost goes berserk.

At the end of summer, Moniek doesn't want to see Maurits ever again.
This time, Maurits can't just deny it. Frustrated, he tries magic to get Moniek back but it doesn't work.
He now realises that he needs his father's help, which causes both of them to begin to find a way to accept their grief.

In the autumn, Moniek returns. She takes Maurits to his mother's grave and makes him really say goodbye to her.
The world is almost what it was: whole.

THE DANDELION GAME ends in the blinding whiteness of winter.
As his father finally decides to become a painter himself, Maurits wants Moniek to skate with him across the frozen river. But Moniek refuses: Maurits has to do it all on his own.

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Molenwiek Film


Corsan, Antwerp

executive producer
Creative producer

Peter van Wijk


Peter van Wijk


Olivier Tuinier
Marie Vinck
Herbert Flack
Dora van der Groen
Hilde Van Mieghem
Wouter ten Pas

Production design

Michel van Laer
Jules van den Steenhoven
Willy Stassen
Danny Elsen


Dirk Bombey
Victor Dekker


Raymond van het Groenewoud


Jan Dop
Hens van Rooij

Sound design

Peter Warnier

Special thanks

Wies Willemsen